What happens to an artist`s work when subjected to real-life limitations of two essential elements of life - space and time
Released on = August 19, 2006, 8:55 am
Press Release Author = Larry Estes
Industry = Entertainment
Press Release Summary = An artist who developed his art in a factory receives some national attention for his speedy drawings. He wins an honorable mention from a curator from the Metropolitan museum of art. He is on his way, finally.
Press Release Body = Larry Samuel Estes August 19, 2006 720 East Little Creek Road Norfolk, VA. 23518
757-636-5466 artes@cool.hrcoxmail.com/www.drawingmyshipin.com For Immediate Release
What happens to an artist's work when subjected to real-life limitations of two essential elements of life - space and time?
Three drawings will provide an answer in a "Works on Paper" Exhibition, juried by Colta Ives, Curator for the Department of Drawings and Prints at the Metropolitan Museum of Art, New York. The show opens August 26, 2006, at the Mills Pond House Gallery in St. James, New York.
In the mid 80's, Larry Estes joined a factory in Virginia. Without a studio and unable to suppress his urge to draw, he personalized his workstation with a drawing board. Initially, he created sketches for paintings he planned on completing when he got a studio. But that never happened. "I couldn't afford a studio. My sketches eventually gave way to frenzied drawings fueled by the frustrations in the factory," Larry explained.
Streamlining his materials to black ink on white paper, he focused on speed and rhythm. Stealing gaps of time in between running widgets on the assembly-line, he honed his drawing skills by mass-producing a single image until he had drawn it to its dynamic conclusion. Thereafter, he developed an alphabet of repeated patterns he called pen "katas", a term for form he picked up from his karate class. Visualizing his paper as a large wall and his pen as a brush, he kinesthetically overcame the spatial limitations of his environment. Looping one continuous line, he drew in 2 speeds simultaneously, the micro pace of the pen and the macro pace of the visualized brush stroke.
Larry's work has evolved into a tension-release explosion on paper, ending with a controlled rip. With its sense of urgency, his style is as representative of his experiences in the factory as it is of the times in general. "The factory was my studio, the machine my master. Adaptation became my subject matter," Larry reflected.
Larry vowed to win an exhibition in New York - without a studio. He maintained that goal after leaving the factory, by drawing at fast-food restaurants. "Color entered my palette at fast-food restaurants, in the form of fashion drawings. I used coffee to mix the colors," Larry said. In the spring of 2003, while drawing at McDonald's, he received some good news. A Soho gallery called announcing that an assistant curator from the Museum of Modern Art had selected him as a winner in a national art competition. The prize was an exhibition in Soho, New York.
Throughout Larry's journey to develop a dynamic visual language, an underlying figurative drama was simultaneously unfolding. It would be rich in archetypal symbolism. But this is another story.
The exhibition, sponsored by the Smithtown Township Arts Council, lasts from August 26 - September 23, 2006. ###
Web Site = http://www.drawingmyshipin.com
Contact Details = Larry Estes 720 east little creek road Norfolk, Va. 23518 artes@cool.hrcoxmail.com 757-636-5466